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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Tossy Spivakovsky
Tossy Spivakovsky
Tossy Spivakovsky

Tossy Spivakovsky, 1936

Max Dupain OBE
Portrait, gelatin silver photograph on paper

Gift of Danina Dupain Anderson 2017. Donated through the Australian Government's Cultural Gifts Program.

Leon Gellert with mask
Leon Gellert with mask
Leon Gellert with mask

Leon Gellert with mask, 1936

Max Dupain OBE
Portrait, gelatin silver photograph on paper

Gift of Danina Dupain Anderson 2017. Donated through the Australian Government's Cultural Gifts Program.

George Hoyningen-Huene and Jessie the Barmaid
George Hoyningen-Huene and Jessie the Barmaid
George Hoyningen-Huene and Jessie the Barmaid

George Hoyningen-Huene and Jessie the Barmaid, 1937

Max Dupain OBE
Portrait, gelatin silver photograph on paper

Gift of Danina Dupain Anderson 2021. Donated through the Australian Government's Cultural Gifts Program.

Ben Chifley
Ben Chifley
Ben Chifley

Ben Chifley, n.d.

Max Dupain OBE
Portrait, gelatin silver photograph on paper

Gift of Danina Dupain Anderson 2017. Donated through the Australian Government's Cultural Gifts Program.

Cate Blanchett

Australians in Hollywood

Previous exhibition, 2003

Although perceived to be a recent phenomenon, the 'Aussie invasion' of Hollywood can actually be traced as far back as the early 1900s

Kelly in the Guard's Van en route to Beechworth (from The Australasian Sketcher, 17 July 1880)
Kelly in the Guard's Van en route to Beechworth (from The Australasian Sketcher, 17 July 1880)
Kelly in the Guard's Van en route to Beechworth (from The Australasian Sketcher, 17 July 1880)

Kelly in the Guard's Van en route to Beechworth (from The Australasian Sketcher, 17 July 1880), 1880

Tom Carrington, The Australasian Sketcher
Portrait, wood engraving on paper

Purchased 2017

Patrick White and Manoly Lascaris
Patrick White and Manoly Lascaris
Patrick White and Manoly Lascaris

Patrick White and Manoly Lascaris, 1987

Max Dupain OBE
Portrait, gelatin silver photograph on paper

Gift of Danina Dupain Anderson 2018. Donated through the Australian Government's Cultural Gifts Program.

James, 2012 by Myles Nelson

Myles Nelson

Finalist interviews

It was definitely a candid encounter as was the expression on the face. It was constructed insofar as the image was deliberately taken from a distance so as to minimize intrusion and to magnify the effect of the image.

Jessie Street

First Ladies

Significant Australian Women 1913–2013
Previous exhibition, 2013

First Ladies profiles women who have achieved noteworthy firsts over the past 100 years.

Cormac and Callum, 2008 by Ingvar Kenne

National Photographic Portrait Prize 2009

Previous exhibition, 2009

In its second year at the National Portrait Gallery, and for the first time touring to other venues, the National Photographic Portrait Prize 2009 continues to present surprising perspectives on the nature of contemporary portrait photography.

James, Rebecca and Sam Mapu

Time and light

In Gallery Seven
Previous exhibition, 2023

This sample of 56 photographs takes in some of the smallest photographs we own and some of the largest, some of the earliest and some of the most recent, as well as multiple photographic processes from daguerreotypes to digital media.

Bob Hawke

Primed

Some Prime Ministers
Previous exhibition, 2019

Seventeen of Australia’s thirty prime ministers to date are represented in the contrasting sizes, moods and mediums of these portraits.

Potters' Portrait Pot

Of human clay

Magazine article by Michael Desmond, 2009

The first collaborative commission has arrived. It's a self portrait, it's ceramic and it's from Hermannsburg.

Self-Portrait, 1981 by Don Bachardy

Drawing inspiration

Magazine article by Dr Christopher Chapman, 2017

Christopher Chapman absorbs the gentle touch of Don Bachardy’s portraiture.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency